Emily thought purchasing her dream car would be a straightforward and exciting step, but her father’s odd reluctance made her question everything. Little did she know that his secret reason would lead her into a situation she could hardly have imagined.
After years of striving through internships, part-time jobs, and a disastrous summer selling overpriced skincare products, Emily had finally made it. She landed a real job with a steady paycheck, benefits—everything needed to start adult life. And the first thing on her to-do list? Buy a car.
But this wasn’t just any car. It was the car. The one she dreamed about during her lunch breaks, pretending to drive it instead of biting into yet another salad. Sleek, shiny, built to last—she could almost see the envy in her friends’ eyes as they spotted it in her driveway—at least that’s what she told herself.
This car was special not just for its leather seats or its tech that outdid her apartment’s. This car had a family history. Her father, Tom, had always raved about this model ever since she could remember cars. “That’s the one, Emily,” he’d affirm every time they spotted one on the road. “Solid, reliable. If I were to buy a car today, that would be it.
So, it had to be this car. It wasn’t just about her. It was… well, it was complicated.
When Emily called her dad to share the big news, she expected him to share her excitement. She could almost hear his voice in her head, “Good choice, Emily! You’ve always had an eye for the right stuff.” But when he picked up the phone, his reaction was… different than she expected.
“Do you really want that one?” His usually confident voice wavered as if he was suddenly unsure of everything. It wasn’t like him and it threw Emily off.
“Yes, Dad,” she replied, trying to inject some of her excitement into the conversation. “It’s the one you’ve always loved. The reliable and solid one, remember?”
He hesitated. A long pause that tightened her stomach a bit. “I don’t know, Emily. Maybe you should reconsider. These models… they have issues.”
Emily blinked. “Issues? Since when? You’ve been praising this car for years.”
“For me, of course,” he said distantly. “But for you… maybe something more affordable. Used, even.”
Used? He had to be joking, right? After everything she had been through, climbing out of tough times to land a real job, she deserved this. The new car smell and all.
“Dad, I’m not going to waste my money on something silly,” she said, trying to remain calm. “It’s a great car. I’ve done my research.”
He sighed, and it felt like he was miles away. “Think about it, Em. There’s no rush.”
That’s when things became urgent. But she wasn’t going to tell him that. So she muttered something like, “Yes, of course, I’ll think about it,” and hung up. She stared at her phone, his words echoing in her head. Since when was her dad so against the only car he had always praised?
In the weeks that followed, she kept bringing it up, trying to push him to regain the enthusiasm she was expecting. Each time, he found a new reason to reject the idea. “Wait a bit longer,” he’d say. “It’s not the right time.”
Emily felt torn. On one hand, this was her chance to do something big, for herself—at least, that’s what she believed. On the other, her father’s strange behavior made her question everything. Why was he so worried?
Eventually, she had enough. One Saturday, she got up early, put on her favorite jeans, and went to the dealership. No more hesitations. It was happening.
Upon arrival, the car was even more perfect in person. The paint sparkled in the sun, the interior was spotless, and the engine purred like a happy cat. She took a deep breath, letting the satisfaction wash over her. This was it. The car her dad had always admired, the one she was finally going to buy. This was meant to be.
But when it came time to handle the paperwork, the salesman, Mark, explained there was a slight issue with the payment. Emily’s credit report showed less available credit than expected and there was a $30,000 loan in her name that was 90 days overdue.
Shocked, Emily had no idea about any loan. This led her to investigate, and she discovered the loan had been taken out through an old joint account she had with her father when she was a teenager—an account she hadn’t touched in years. The only explanation was that her father had taken out this loan without her knowledge.
Confronting her father over the phone, he admitted to taking out the loan to buy a boat he thought they could afford. He didn’t want to worry her. This betrayal, using her credit without her consent, led Emily to a difficult decision—she ended up reporting her father for identity theft. It was a painful choice, but she felt it was necessary to protect her future.
This narrative explores themes of trust, betrayal, and the complexities of family relationships. Emily’s journey from excitement about a new car to dealing with her father’s betrayal shows a deep personal trial, one that changes her relationship with her father forever.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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