Rebecca arrives at the farm she inherited, ready to sell it and move on. But a stubborn farmhand refuses to let her make an easy sale. He challenges her at every turn, forcing her to confront not just him but the memories and responsibilities she thought she left behind. Their clash will decide the farm’s fate.
Early in the morning, Rebecca got into her car, the sun barely peeking over the horizon. This wasn’t part of her usual routine, but something unexpected had come up, and she had to deal with it.
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Leaving her small business in the hands of her assistant, she set off on a long drive, heading out of the busy city.
Rebecca was on her way to her late grandfather’s farm, which he had left to her in his will. She hadn’t been there in years. As a child, she spent summers there, running around and playing, but once she grew older her visits stopped.
Rebecca always assumed her grandfather would pass the farm on to one of his workers, someone who truly needed it. Now, she had no intention of running it herself. Her plan was simple—check things out, find a buyer, and sell it as quickly as possible.
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Rebecca parked near the farmhouse and stepped out, glancing around. As she turned, she noticed a man on the porch. He stood up quickly, smiling.
“Hey there,” he said. “You must be my new boss. I’m Derek.” He stepped forward, offering his hand.
Rebecca shook it, frowning slightly. Something about him seemed familiar. “Hi, Derek. But you’ve got it wrong. I’m not your boss.”
Derek tilted his head. “Well then, may I at least know the name of my non-boss?”
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“Oh,” Rebecca said, realizing she hadn’t introduced herself. “I’m Rebecca.”
“Wait a minute. Are you the same Rebecca who let all the chickens out so the dog could have fun?” He chuckled.
Rebecca’s eyes widened as the memory came back. Derek was the son of one of her grandfather’s workers, and they used to play together when she was little. “And you’re the same Derek who taught me to chase them with a slingshot?”
“Guilty as charged,” he said, raising his hands in mock surrender. They both laughed, easing the tension.
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Derek’s expression grew serious. “So, what do you mean you’re not my boss? The farm was left to you, right?”
Rebecca’s smile faded. “Yes, but I don’t plan to keep it. I’m here to sell it.”
“What? Sell it? To who?”
“I don’t know yet,” she said, shrugging. “Whoever wants to buy it.”
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“Even if they tear it down?” he asked.
“Well… yes.”
Derek stepped closer, his voice rising. “How could you do that? Your grandfather spent his life on this farm! It was everything to him.”
Rebecca felt a pang of guilt but tried to stand her ground. “He’s gone, Derek. And I have my own life. Being a farmer wasn’t part of my plan.”
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Derek’s eyes searched hers. “What about the animals? The people who work here? You’re just going to let them lose everything?”
She hesitated. “The new owner will handle that.”
Derek’s face darkened. “You don’t care at all, do you?”
“I care. It’s just… not my responsibility anymore,” she said quietly, turning to walk toward the house.
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Derek’s voice followed her. “You heartless witch!”
Rebecca winced but didn’t turn back. She quickened her pace, heading inside, trying to ignore the doubts his words stirred.
The next morning, Rebecca was startled awake by a knock on her door. She groggily got up and opened it to find a man standing on the porch.
“Good morning, Rebecca,” he said, nodding politely. “I’m Travis. I manage the fields here. Something’s happened, and I think you’ll want to see it.”
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Rebecca rubbed her eyes. “Morning. Just give me a moment to get dressed.”
She quickly threw on the first clothes she found, then followed Travis outside. They walked through the farm until they reached one of the main fields. Rebecca’s heart sank when she saw the crops. They looked weak, wilted, and sickly.
“What’s wrong with them?” she asked.
Travis sighed, his expression grim. “Hard to say. Maybe someone spread something to damage them. Could be competitors. But if we don’t act fast, we’ll lose the entire crop.”
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Rebecca’s face tightened. “I don’t care. I’m selling the farm. That’s my plan.”
Travis glanced at her. “You’d get a lot more money if you sold it as a working farm. Not just land.”
Rebecca knew he had a point. She hesitated, then asked, “So, what do you need from me?”
“I need an extra worker. One of our guys is out sick, and we don’t have enough hands,” Travis explained.
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“Alright,” Rebecca said. “I’ll find someone to help.”
Rebecca spent the entire day making phone calls, trying to find someone to hire. She went through a long list of contacts, but every answer was the same—nobody was available.
By evening, she was exhausted, her energy completely drained. She felt like a squeezed lemon, with nothing left to give.
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Tired and frustrated, Rebecca found herself wandering toward the stables. She remembered how, as a child, she would sit there for hours, surrounded by the soft sounds of the horses.
It always calmed her. She gently petted their noses, fed them some hay, and felt a wave of comfort wash over her. She sighed, thinking, who would have imagined this farm could bring her so many problems?
“Oh, I didn’t know princesses visited stables,” Derek said, his tone icy as he stepped inside.
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Rebecca turned, frowning. “What’s with the attitude?”
Derek folded his arms. “How else should I talk to someone who doesn’t care?”
“For your information, I spent all day trying to find a worker for Travis,” she snapped. She wasn’t sure why she felt the need to explain herself, but his accusation stung.
Derek’s lips curled into a bitter smile. “So you can sell the farm for a better price. That’s what Travis said.”
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Rebecca rolled her eyes, trying to ignore the guilt building inside her.
“I can help Travis,” Derek said, “but I need support with the livestock. That’s my job.”
“There’s no one available to work,” she said.
Derek stepped closer, his gaze steady. “You could help.”
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Rebecca blinked, surprised. “Me?”
He raised an eyebrow. “Or are your hands too soft for real work?”
“I know how to work,” she shot back. “It’s the only thing I’ve ever really known how to do.”
“Good,” Derek said, turning toward the door. “Then it’s settled.”
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Rebecca stood there, still processing, as he walked away, wondering how she’d just agreed to help.
For the next few weeks, Rebecca found herself doing things she never expected. She woke up early each morning, pulling on boots and gloves, ready to work. She helped the workers in the fields, fed the animals, and even joined them in the kitchen, cooking meals after long days.
At first, she thought it would be a struggle, but the workers were patient and kind, teaching her the tasks step by step. They treated her like part of the team, and she started to see how much they cared about the farm.
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Rebecca began to question if selling the farm was the right decision. Every night, she fell into bed exhausted, but it was a different kind of tiredness. The farm, once just a burden, was slowly becoming a place she was starting to care about.
One evening, as she walked back to the house, she spotted something unusual—small surveillance cameras mounted on poles, pointing straight at the field. Why hadn’t she noticed them before?
After asking around, she learned from Sarah, a longtime farm worker, where to access the footage. Sarah brought it to the house, and Rebecca started watching the recordings.
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She fast-forwarded until she found what she was looking for—footage of someone sneaking through the field, scattering a strange powder over the crops. The image was blurry at first, but then the figure’s face came into view. Rebecca’s heart dropped. It was Derek.
Furious, she slammed her laptop shut and stormed out of the house. Without thinking, she marched straight toward Derek’s cabin, her mind spinning.
Rebecca stormed up to Derek’s door. When he opened it, she held out her laptop, the screen showing the footage. “Care to explain this?!” she snapped.
Derek sighed, his shoulders drooping. “I was trying to delay the sale,” he said.
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“So you decided to destroy the farm?!” Rebecca yelled, her voice shaking.
“I didn’t destroy it,” Derek replied. “I slowed things down. It worked. I know you’ve started to care.”
“You can’t just do that, Derek! People had to work harder because of you!” she shouted.
“I thought you didn’t care about the people here,” he said. “I wanted to make you see what this farm means.”
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Rebecca felt a sting in his words, but she refused to back down. “But you messed up! I don’t care! That’s why I’m selling it—to the first buyer who shows up!” she yelled, her voice cracking as she turned and stormed away, leaving Derek standing there.
Two days later, two businessmen arrived at the farm. Rebecca greeted them with a polite smile and led them on a tour, showing them the fields, the barns, and the house. She kept her tone professional, trying to stay detached.
After the tour, Ryan, one of the men, said, “We’re ready to buy it.”
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Rebecca felt a weight lift from her shoulders. “Great! When can we sign the contract?” she asked.
“Right now,” said the other man, Tom. “We brought our lawyer with us.”
Rebecca nodded and led them inside. They sat at the dining table, and the lawyer set the papers down. She picked up the pen, but her hand froze. Something didn’t feel right. “You’re buying the farm to run it, right?” she asked.
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“Not exactly,” Ryan replied. “We plan to build a factory here. Is that a problem?”
Rebecca’s stomach twisted. She hesitated, but forced a smile. “No, no problem.” Her eyes drifted to the wall. A childhood photo of her and her grandfather hung there—she was feeding a calf, smiling wide. She took a deep breath, pushing the papers closer. Slowly, she prepared to sign.
After fifteen minutes, Rebecca walked Ryan, Tom, and their lawyer out of the house. She spotted Derek sitting under a tree, watching. Tom shook her hand. “Well, good luck,” he said. Ryan did the same, and then they drove off.
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Derek got up and walked over. “Congratulations,” he said flatly. “The farm’s no longer your problem. How much did you sell it for?”
Rebecca looked at him. “I changed my mind.”
“What?” Derek’s eyes widened, confused.
“I’m not selling it,” she repeated.
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Derek’s frown melted into a smile. “Really?”
“Don’t get too happy,” she said, trying to stay serious. “I’m a demanding boss. My employees usually avoid me.”
Derek suddenly pulled her into a tight hug, catching her off guard. After a moment, she realized what was happening and hugged him back, feeling something warm and hopeful stir inside her.
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See 1970s icon Faye Dunaway now at 83
Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
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