Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
If you encounter someone with this tattoo on their hand, you should know what it symbolizes.
For different people, tattoos and other body markings can represent a wide range of meanings. Something that is revered in one part of the world could be viewed as inappropriate in another; a symbol or piece of art that has significant value in one place might seem like random squiggles in another. It’s safe to say, in my opinion, that for as long as we have been as a species, people have used their appearances to communicate ideas and express themselves.
Unless you’re a resident of a remote island, you’re probably accustomed to seeing tattooed individuals. Certain designs can be little regrets from childhood, but others might have deeper significance—telling tales or following customs or traditions, for example.I don’t know about you, but I always find it fascinating when I see the same tattoo on multiple people.
That is to say, I’m instantly captivated by the meaning of the tattoo and the reasons the owner felt it was so important to have it on display for the rest of their lives. One that I have witnessed many times over the years but have never taken the time to look into is the so-called “red string of fate.”
The small red tattoo will certainly be recognizable to some of our readers, but it is unlikely that many of those who have seen it before will get its symbolic meaning. I did say that I had seen a couple folks with the tattoo. Certainly enough to identify a trend. I had no idea what this mark meant, but it had to imply something.
I used the internet to conduct some research and found that the red thread tattoo in issue is known as the “red string of fate” in Asian traditions. Usually seen on men’s thumbs and women’s pinky fingers, the tattoo has a basic bow-like design with tails that mimics a tied shoelace.This small tattoo has a meaning that is centered on optimism and desire.
The tale is purportedly based on a folktale from China about a matchmaker who foretells the partners that each of us is destined to meet.Naturally, the notion that one is fated to meet someone else is not exclusive to romantic endeavors, nor is the idea of sharing an invisible relationship with another person confined to any one culture; rather, it is present in practically all of them.
No matter where they are, when they are, or what happens, two people are meant to be lovers, according to the red string of fate. That is a comforting and pleasurable concept for some people. Still others, meanwhile, surely would prefer to be masters of their own fate.
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