Few things are as satisfying as a trip down memory lane — and it’s even better when you find something you didn’t notice before. Because as Ferris Bueller said — life moves pretty fast. Here are dozens of pictures of celebrities and remarkable people of yesteryear in all their beautiful, vintage glory. The glamour, the fashions, the hair — whether classically elegant, effortlessly cool, or interestingly tacky, we shall not see their like again. Here’s to the movie stars who were larger than life, here’s to the rock stars who lived on the edge, here’s to the comedians who still make us smile, here’s to the bit players who had those moments of glory that changed their lives forever. It’s all good, it’s all groovy, and the rest is history.
Perhaps it was her Scandinavian free-spiritedness — Swedish-born actress and singer Ann-Margret seemed on call to be as sexy as necessary. Need an actress to smother Jack Nicholson with her cleavage? Ann-Margret would do it (in Carnal Knowledge, 1972). Need an actress to writhe in satin sheets and foam, then get sprayed by baked beans? Ann-Margret’s your girl (in Tommy, 1975). Need an actress to ride a large motorcycle in a thigh-high sweater dress and calf-high boots? Ann-Margret’s raring to go (in The Prophet, 1968). Need an actress who can shake her fringe top and miniskirt like a professional go-go dancer? Ann-Margret has that exact skill (in Appointment in Beirut, 1969). Need an actress you could cover in fluorescent paint and drag around a canvas like a human paintbrush while burly men in tribal garb howl and beat their bongos? That was so Ann-Margret’s thing (in The Swinger, 1966). Need an actress to wear a bra at a photo shoot on a chilly day? Not her thing, man.–Advertisment–
“Jungle Pam” Hardy, one of drag racing’s main attractions in the ’70s.
Jim Liberman was a drag racer who went by the nickname of “Jungle Jim.” He won a lot of races in the 1970s. Fans loved him for his flamboyant personality and masterful driving. But this is not a picture of Jungle Jim — this is “Jungle Pam” Hardy, Jim’s sidekick, who commanded attention at the track with her tight, skimpy outfits. She had a job to do, as Jim’s “backup girl,” she helped guide him as he drove his Chevy Vega backward on the track after a burnout. Pam joined Jim’s team in 1973, and in 1977 Jim died on an off-track car accident. Though she only did the job for four years, Jungle Pam remains the most iconic backup girl in drag racing history.
Burt Reynolds and Farrah Fawcett during filming of the 1981 comedy “The Cannonball Run.”
The 1981 road-racing comedy The Cannonball Run was packed with star power: Dean Martin, Sammy Davis Jr., Adrienne Barbeau, Mel Tillis, Terry Bradshaw, Dom DeLuise, Jackie Chan and 007 himself, Roger Moore. But you could have left all of them on the side of the road and powered to box office success with this supernaturally attractive pair of human beings: Burt Reynolds and Farrah Fawcett. He was the greatest heartthrob of the late ’70s; she had the decade’s hottest poster, and was the hottest lady detective on Charlie’s Angels, a show that was completely about conspicuously hot lady detectives. The chemistry in the movie (and this photo) wasn’t fake — Fawcett and Reynolds were romantically involved for a time.
Marcia, Marcia, Marcia! You’re gonna lose! Lose! Lose! A miffed Maureen McCormick on The Brady Bunch, 1972.
Be honest — which of these three sparklers from 1983 would you have pegged to be the future governor of Minnesota? History tells us it was Jesse “the Body” Ventura (at right), and not Randy “Macho Man” Savage or the lovely Elizabeth “Miss Elizabeth” Hulette. Randy and Elizabeth would marry the following year, and she would later debut in the WWF as Macho Man’s mysterious, glamorous manager. Sadly, neither Macho Man nor Elizabeth are with us today. Ventura, who served one term as governor and has since remained a popular political figure, occasionally floats the idea of a bid for the U.S. presidency. That seems far-fetched, as American voters would never make a crass TV blowhard the leader of the free world.
Cindy Morgan as ‘Lacey Underall’ in a scene from the comedy film “Caddyshack,” 1980.
Jim Caviezel Makes a Protest and Says It Would Be “Awful and Ungodly” to Work with Robert De Niro
Actor Jim Caviezel rose to fame after calling renowned actor Robert De Niro a “awful, ungodly man” and refusing to work with him. This unusual attitude in Hollywood has generated conversations about how to balance one’s personal values with one’s commercial ties.
This article explores the specifics of Caviezel’s bold decision, the reasons he declined to collaborate with De Niro, and the broader effects of his open comments in the film industry. Jim Caviezel is well known for his steadfast moral principles and firm Christian convictions. His portrayal of Jesus Christ in Mel Gibson’s “The Passion of the Christ” is what made him most famous.
On the other hand, the well-known actor Robert De Niro is commended for his versatility in acting and his candid opinions on a broad spectrum of social and political issues. Caviezel’s reluctance to collaborate with De Niro brings to light the conflict between a person’s moral convictions and the teamwork required in filmmaking.
In a recent interview, Caviezel was questioned on potential collaborations with De Niro. With considerable conviction, he declared, “I won’t work with Robert De Niro.” He is a terrible, immoral person.
The strong language in his message immediately caught the interest of fans and the media, generating questions about the specifics of the alleged falling out between the two celebrities. Throughout the meeting, Caviezel stayed silent on specifics, but it’s obvious that his decision was influenced by a deep moral battle.
Given De Niro’s ardent Christian beliefs and commitment to businesses that uphold his moral values, Caviezel appears to believe that there is a distinction between the man on the outside and his past actions.
Due to Caviezel’s ambiguous comment, there were speculations and a rise in public interest in the underlying dynamics. Entertainers often share their opinions on a variety of subjects, such as why they have chosen not to collaborate with a certain individual.
However, opinions on Caviezel’s bold statement have been mixed. Some commend him for sticking to his convictions, considering it an exceptional example of integrity in a field that is occasionally chastised for its lack of morality. Publicly making such statements, according to others, is a bad idea because it can limit one’s prospects for a future career and perpetuate divisions within the profession.
The fact that Caviezel turned down working with De Niro begs further concerns about how actors navigate their personal beliefs in the sometimes contentious, cooperative environment of Hollywood. Although many perspectives and expressions have historically benefited the industry, there is an increasing tendency of artists placing restrictions on their work according to their personal convictions.
This episode serves as an example of how Hollywood is evolving and how people are willing to uphold their principles even at the expense of their professional opportunities. In the entertainment industry, there have been cases where an actor’s public comments have benefited or hindered their career. Some who share Caviezel’s unwavering commitment to his beliefs may find it poignant that he turned down the opportunity to work with De Niro.
Leave a Reply