“But when will I get to see grandchildren? You’re too focused on your career, and I’m worried you’ll never settle down. Don’t you want a family someday?”
Megan sighed, gripping the wheel a little tighter as she tried to keep calm. She loved her mother, but this conversation was becoming all too familiar.
“Mom, I really can’t talk about this right now,” she said, faking a crackle in her voice. “The signal’s bad. I’ll call you tomorrow, okay?”
Before Dina could continue, Megan quickly ended the call, feigning static noises to make it seem like the connection had failed.
She glanced down at the phone and let out a breath she hadn’t realized she was holding.
Pulling into her driveway, Megan parked the car and stared at her house for a moment.
She felt drained, both from the conversation with her mother and from the past few weeks.
What was supposed to be a restful vacation had turned into yet another working trip, with her phone constantly buzzing with problems at work.
For the entire month, she hadn’t been able to fully unplug. She didn’t even know what “rest” meant anymore.
After grabbing her bags from the trunk, Megan walked inside her dimly lit house, too tired to bother turning on all the lights.
She set her bags down by the door and paused for a moment. Something felt off. Glancing around, she noticed that one of the windows on the first floor was slightly open.
Puzzled, she tried to remember if she had left it like that before leaving for her trip. She shrugged it off, assuming she had simply forgotten to close it. It had been a busy month, after all.
Megan shut the window, turned off the last light on the first floor, and headed upstairs.
She barely had the energy to change into her pajamas. She kicked off her shoes, not even bothering to check if everything was in order.
Without thinking, she collapsed into her bed, letting her head sink into the pillow.
The familiar comfort of her bed was a relief, and within moments, Megan was fast asleep, her mind already letting go of the chaos of the day.
Little did she know that tomorrow would bring an unexpected surprise—one she never could have anticipated.
The next morning, Megan was jolted awake by the buzzing of her phone. Half-asleep, she groaned as she answered it, recognizing the overly enthusiastic voice of her assistant, Lisa.
Lisa’s high-pitched chatter filled her ears, rattling off a long list of meetings and tasks for the day at a speed that made Megan’s head spin.
“Lisa, please… slow down,” Megan mumbled, trying to focus as she stumbled out of bed. She held the phone between her ear and shoulder while getting dressed, lazily brushing her teeth, and starting her coffee machine.
The warmth of the coffee was barely hitting her system when something made her stop mid-sip—loud snoring coming from the living room.
Her body tensed as her brain struggled to process what she was hearing. Who is in my house?
“Lisa, I’ll have to call you back,” she said abruptly, hanging up the phone before Lisa could respond. Heart racing, Megan cautiously walked toward the living room, each step feeling heavier than the last.
Peeking inside, she couldn’t believe her eyes. A man—fully dressed with boots still on—was sprawled across her couch, snoring loudly.
Dirty footprints trailed from the window she had closed the night before to where the man now lay. Megan’s mind raced with questions. Who is this guy? How did he get in?
Her eyes narrowed, and without thinking twice, she darted to the kitchen, grabbing the nearest weapon she could find: a broom.
She marched back to the living room and jabbed the man with the handle.
He stirred, groggy and confused, blinking as he rubbed his eyes.
“Who are you?” Megan demanded, doing her best to keep her voice steady despite the panic rising in her chest.
The man, still half-asleep, sat up slowly. “Uh… I’m George,” he muttered, his words slurring together. “How did I get here?”
“I was about to ask you the same thing!” Megan snapped, frustration mixing with confusion. “Why are you on my couch?”
George blinked, clearly disoriented, as he looked around. “I don’t remember much… I was out with some friends, and then… nothing. I guess I drank too much.”
Megan sniffed the air and immediately recognized the stale scent of alcohol. It didn’t take long to piece together what had happened—George had been blackout drunk and somehow ended up in her house.
Her anger started to fade, replaced with a mix of disbelief and reluctant sympathy.
“Well, you’re lucky I didn’t call the police,” she said, setting down the broom. “Take these.”
She handed him a bottle of aspirin and watched as he gratefully swallowed a couple of pills.
“I need to leave for work, but this time make sure you use the door when you go. Not the window.”
George, still looking sheepish, nodded. “Thank you… and I’m really sorry.”
Megan sighed. “Just… don’t make a habit of it.” With that, she grabbed her things and headed out the door, leaving George to process his own mess.
That evening, Megan drove home after a long, exhausting day at work. Her eyes felt heavy, her body sore from sitting in meetings and staring at screens for hours. Her stomach growled in protest, reminding her that she hadn’t eaten anything substantial all day.
There hadn’t been a single free moment to stop for groceries, and she sighed at the thought of coming home to an empty fridge.
As Megan walked into the house, she froze. The familiar smell of her dim living room was replaced by something unexpected—the soft glow of candles flickered around the room, casting a warm, inviting light.
The dining table, which she had left bare that morning, was now set with plates, silverware, and an array of delicious-smelling dishes.
At the center of it all stood George, looking slightly awkward and sheepish but also determined. He rubbed the back of his neck nervously as he saw her expression.
“What is this?” Megan asked, her voice a mixture of shock and confusion.
George shifted his weight from one foot to the other.
“I… I felt really bad about what happened this morning,” he explained, his voice soft. “So I cleaned up the mess I made, and I wanted to cook you dinner. You know, to make it up to you.”
Megan blinked, still processing the scene before her. She had expected to come home, collapse onto the couch, and figure out how to deal with her hunger.
Instead, she found this—a stranger who had passed out on her couch that morning, now standing in her living room with an entire meal prepared.
“You didn’t have to do this,” she said, still a bit in disbelief.
“I know,” George replied, “but I wanted to. It’s the least I could do after… well, everything.” He offered a small, apologetic smile.
George began to gather his things, ready to leave and give her space, but Megan stopped him.
“Wait,” she said softly, not wanting him to rush off just yet.”
You’ve already gone through all this trouble to make such a nice dinner. Stay and have it with me. I can’t eat all of this by myself, anyway.”
George hesitated, his uncertainty clear.
“Are you sure? I didn’t mean to intrude.”
Megan smiled warmly, her exhaustion from the day fading just a little. “Yes, I’m sure. Besides, it would be nice to have some company.”
They both sat down at the table, and as the scent of the warm food filled the air, Megan couldn’t help but feel a surprising sense of calm.
The hectic day seemed to slip away, replaced by an evening of unexpected comfort.
They sat down at the table, the soft glow of the candles creating a peaceful atmosphere. As they began to eat, the earlier tension seemed to melt away with each bite.
George, now more comfortable, started telling Megan about his wild night out with friends. He laughed as he explained how too much fun and a little too much to drink had led him to her couch, of all places.
“I honestly didn’t even realize I wasn’t home until I woke up this morning,” George chuckled, shaking his head.
“And when I saw you standing there with a broom, I thought I was in serious trouble.”
Megan couldn’t help but laugh along, her earlier frustration fading with each word.
The stress she had carried home after a long day at work seemed to vanish, replaced by the simple joy of sharing a meal and a conversation with someone who made her laugh. It felt like a break from the routine, like a breath of fresh air.
For the first time in what felt like ages, Megan felt completely relaxed. George was easy to talk to, and the conversation flowed naturally. They joked, swapped stories, and enjoyed the food he had so thoughtfully prepared.
The transformation of Joan Van Ark: From star on ‘Dallas’ and ‘Knots Landing’ to loving mother and wife
While performing in Denver, Van Ark met actress Julie Harris while interviewing her for a local newspaper, and the actress persuaded her to study acting and drama at the Yale Drama School.
As a result, Van Ark became the youngest student ever to receive a scholarship to the well-respected school and the second woman ever to enroll. The first woman was Julie Harris, who helped Van Ark into the school.
“She wrote to the dean and asked him to meet me. Long story short, my parents drove me to New Haven, Connecticut, to meet the dean, who gave me a scholarship,” she recalled.” It was meant to be.”
Valene Ewing on ‘Dallas’ and ‘Knots Landing’
Van Ark began her professional career at the Minneapolis Guthrie Theater, where she starred in The Miser by Moliere. After working about a year at the Arena Stage in Washington DC, she moved down to work with the national touring company Barefoot in the Park in 1963, which led to her Broadway debut. In 1971, she was nominated for the Tony Award for Best Featured Actress in a Play after starring in The School for Wives.
At that point, Joan Van Ark had begun working in front of a screen rather than on stage. She appeared on television series including Temperature’s Rising, Spider-Woman, and Days of Our Lives and even in one episode of Bonanza.
Even though Joan Van Ark wasn’t short of jobs, she was still looking for her significant breakthrough role as the 1980s approached. In 1978, she made several appearances as Valene Ewing on Dallas – which led her to the role of a lifetime.
Knots Landing – a spinoff of Dallas – premiered in 1979, and Joan Van Ark reprised her role as Valene Ewing. She starred in 327 episodes – acting alongside Michele Lee as Karen and Ted Schakleford as Gary – and became a massive star.
Even though it was a spinoff of Dallas – about the rotten but wealthy Ewing Clan – it was initially brought to CBS years before.
However, the network wanted a “big rich family” show, and Dallas got picked as the one. But later on, Knots Landing became a massive success as the studio realized how big of a show Dallas had grown into, and after only one season, it rose into the top 20 in TV ratings.
How Joan Van Ark almost missed out on her biggest role
Knots Landing became the story of Gary Ewing and his wife Valene – played by Van Ark – and how they decided to start a new life in Knots Landing.
However, Van Ark almost missed out on the part of Valene Ewing. She explained that she had a “three-way clash” where she did The Love Boat simultaneously, as well as a commercial in New York.
In the end, it was her husband – John Marshall, who we will come back to in a minute – that persuaded her into choosing Dallas. And it was a significant – and important – decision.
“I got the call asking me to do a guest appearance in this show called Dallas, which was attracting a lot of buzz, but I said to my husband, ‘John, why should I even read this script? I can’t be in three places at once,’” she told Express. “Then he read it and said, ‘No, you’ve got to do it. It looks wonderful.’”
“So basically, he talked me into a schedule that had me in LA one day, then flying to Dallas for two days, followed by two days in New York and then back to Texas. But looking at this old cast photo from Knots Landing – the spinoff from Dallas – I’m so glad I listened to him,” she added.
Dallas and Knots Landing became a 15-year commitment for Van Ark, who became identified by her role. As earlier mentioned, she and Julie Harris had quite a history – and in 1980, they met again
“I could stay forever on the show and be safe”
Harris was cast in Knots Landing as the mother of Van Arks’ character, and for the actress, it was almost too good to be true.
“When the producers told me they had finally last someone to play my mother, I held my breath,” she recalled in a 1984 interview with Florida Today.
“I thought, ‘Oh my God, are they going to say Phyllis Diller or Zsa Zsa Gabor, or who?’ Then they said it was Julie Harris, and I went right through the roof. I couldn’t believe they had picked her to be my mother. They didn’t even know we were friends.”
Joan Van Ark stayed for 13 seasons and 327 episodes on the show. Then in 1993, just one season after she left, Knots Landing was canceled. But the reason for Joan leaving wasn’t that she didn’t like it. Instead, it was all about her trying on new challenges.“I could stay forever on the show and be safe,” Van Ark told the Los Angeles Times in 1992.
“But three years ago, I did Night of the Iguana in Williamstown (Mass.), and I had a quote from Tennessee Williams taped on my mirror, taken from an essay he’d written on success. It said, and I’m paraphrasing here: ‘Security is in the shape of a kidney-shaped pool in Los Angeles, where you sit waiting for your residual checks.’ I was in a comfortable spot on Knots, and an artist should not be comfortable.”
At the same time, the television series became a huge part of Van Ark’s life. So even though she felt comfortable leaving, it was a tough blow since she thought it would be easier.
Blamed herself for ‘Knots Landing’ cancelation
“I have loved more than life the 13 years I’ve had on that show,” she said. “[Knots Landing creator] David Jacobs is a great influence on my life, has taught me so much about so many things. Ted [Shackelford] is the other half of every breath I take on the show, and personally, he’s a large part of my heart. The people are my family–we have shared marriages, deaths, divorces. It’s far more difficult to leave than I thought.”
The show didn’t quite work without the great chemistry between characters Valen and Gary. In fact, Joan took the blame for the show being shut down.
“Well, it was my fault. I jumped over to NBC to do a pilot which did not sell,” she said. “I was so ready to go, after fourteen years with the one lady, so I auditioned for the pilot, and they cast me. It wasn’t as cleanly negotiated as it should have been. When the pilot didn’t sell, they asked me back, and I did do the four-hour finale of the show.”
Joan Van Ark left the soap opera business behind but continued to star in many television series. She had minor parts in television series, including Fresh Prince of Bel-Air, and starred in some television movies. Between 2004 and 2005, Joan appeared as Gloria Fisher in 55 episodes of the hugely successful television drama The Young and The Restless.Joan Van Ark – marriage, husband, children
It’s common for celebrities in Hollywood to marry other celebrities, and show-biz marriages don’t always last very long.
But that wasn’t the case for Joan Van Ark, who met the love of her life back in high school. She met her husband, John Marshall, while the two were students in Boulder. In 1966, the couple married on a military base in Germany.
“Believe me, it was nothing like the marriages [Valene Ewing] has gone through,” she told UPI.
In 1969, they welcomed daughter Vanessa Marshall, who also chose a career in entertainment. She became a well-known voice-over artist and actually gave up on her on-camera acting career. Instead, Vanessa Marshall has lent her voice to animated films, television series, and several video games.
John Marshall went on to become an Emmy newsman, working on KNBC-TV and NBC. He’s had a flourishing career just as his wife Joan, and while the couple was working hard to make it in their respective fields, Vanessa was growing up.
For Van Ark, becoming a mother while trying to navigate through the business was tough. And she gives credit to her husband, John, for keeping the family together during those stressful years.
“He is the reason we have the most wonderful daughter in the world and that the marriage has stayed strong,” Van Ark told The Leader-Post in 1988. “I feel I am the committed person who can’t give up time for this or that.”
“He did not want to miss watching Venessa grow up, and he did not want to miss me,” she added. “He knows correspondents live out of suitcases. John made career choices I didn’t agree with because if it had been me, I would have packed my bags, and I would have been waiving at the airport.”Joan Van Ark – net worth
Besides her acting job, Joan Van Ark has a great interest in running. The 78-year-old has completed several marathons and explained she’s running instead of going to a psychologist. However, when it comes to her husband, she stated that she would never go on a run with him.
Why? Because “it’s the quickest way to a divorce that I know of. You’re always criticizing the other’s style,” Joan said.
In the last decade, Joan Van Ark has continued to work on stage in several productions for theater and starring in television series and movies such as Watercolor Postcards and Psycho Wedding Crasher. But she will always be most remembered for her magnificent spell on Dallas and Knots Landing.
According to Celebrity Net Worth, Joan Van Ark has a net worth of around $10 million.
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