Megan Blain, an 18-year-old who’s hooked on sunbeds, says she won’t stop tanning, even though online trolls are constantly insulting her. They’ve compared her skin to a “dirty 2p coin,” but she feels stuck in a tanning habit she can’t break.
Megan, from Seaham, County Durham, started using sunbeds at 16 to keep a tan all year. She ditched fake tan products for daily sunbed sessions and even began using tanning injections to get a darker glow. Although she didn’t know much about the risks, she spent up to 30 minutes on sunbeds, sometimes using baby oil to boost the effect.
Teenager Megan Blain, 18, has admitted to being addicted to sunbeds, despite facing harsh criticism online and noticing concerning changes to her skin
Megan said, “I liked how I looked with a tan. I wear bright colors, and the tan made them stand out more. Once I saw how good it looked, I started going to the sunbeds more often.”
But her intense tanning routine has raised health concerns. Megan now admits she’s addicted and has tried to cut back on sunbed use.
She also says the tanning injections make her feel sick, and she’s noticed a strange patch on her skin that changes size. Even though she’s scared it could be cancer, she hasn’t stopped tanning yet. Megan has tried to go to the doctor several times but gets too nervous to go inside.
“I’m the type of person who worries about everything, so it’s strange that I’m not more worried about this patch. I know it could be melanoma, but I still use sunbeds, which shows it’s an addiction. I never feel dark enough,” she explained.
She says she’s stuck in a cycle of overusing sunbeds and taking injections that make her feel sick and unable to eat. She used to go every day, but now she goes about four times a week.
Despite getting negative attention from strangers, with some saying she looks like a “burnt chip” or a “cremated” version of herself, Megan still can’t imagine life without tanning beds.
Megan said, “Everywhere I go, people stare at me. When they say I’m dark, I don’t believe them. I don’t feel dark at all, like I can’t see it myself.”
She admits she wants to stop using sunbeds one day, but she can’t imagine quitting. “I wouldn’t recommend this to anyone because you could get addicted without even realizing it, like I did,” she warned.
Megan has tried to cut down, now only using sunbeds four times a week, and she’s using her TikTok platform to warn younger people about the dangers of sunbed addiction. She’s especially worried because more young people seem to be using sunbeds than older ones, and she knows how easy it is to get hooked.
However, Megan has also faced online trolls who make fun of her tan. Some compare her to “burnt chips” or say her skin looks like a dirty “2p coin.” One person even asked if the sunbeds “cremated” her.
While Megan’s views on tanning have changed, she still struggles to break her habit of using UV lights.
Megan said, “After two years, I’ve changed my mind about sunbeds. If I could go back, I’d never start. Now, it’s not even about wanting to be tan anymore—I just feel like I have to use them.”
She explained that once she’s on the sunbed, it’s hard to turn it off. “I don’t even like using them anymore, I actually dread it, but I feel like I physically can’t stop.”
Another tanning addict, Fionnghuala Maguire, 35, from Belfast, shared her story, saying she feels “lucky to be alive” after using sunbeds almost every day for 15 years. She started at 14 and never used sunscreen during that time. Fionnghuala is now warning others not to make the same mistake, having been hooked on tanning and going to salons up to seven days a week at the height of her addiction.
86-Year-Old Claudia Cardinale Proves You Don’t Need Surgery to Look Stunning
Claudia Cardinale, a well-known actress, has acknowledged aging with conviction and grace, stating that one cannot “stop time.” Look at the seasoned actress’s incredible growth throughout time.
Italian actress Claudia Cardinale was rather well-known in Hollywood during its prime. She has starred in more than 100 movies during the course of her illustrious career; the years 1960 to 1970 were her busiest.
In just one decade, she acted in over thirty films, including beloved series like “8½” (1963), “The Leopard” (1963), and “The Professionals” (1966), in which she costarred with Lee Marvin and Burt Lancaster.
One of her best performances is in the cult classic “Once Upon a Time in the West” (1968), directed by Sergio Leone. When asked about her memories of working with Leone, Cardinale mentioned in an interview that he had a unique working style.
She added that he would have the actors listen to the score before filming a scene, and that he would have the music created before shooting started. The Tunisian native said, “My main advantage was that I didn’t ask to go to Hollywood, they called me,” when discussing her acting career in the United States.
Hollywood studios scurried to grab hold of any emerging star during that period, with the aim of controlling all the rising talent. They regularly offer actors restrictive contracts to sign, which could eventually hinder their careers.
But Cardinale managed to block her own path. She accepted one contract at a time, refusing to sign an exclusive agreement with Universal. She was able to continue her profession and move in the industry at her own pace as a result.
Cardinale made her mark in “The Pink Panther” and “The Professionals” during her three years in Hollywood. She also appeared on screen with notable actors like Rock Hudson in “Blindfold” and with John Wayne and Rita Hayworth in “Circus World.”
She also had the opportunity to mingle with a number of Hollywood heavyweights, including Steve McQueen, Barbara Streisand, and Warren Beatty.
The two films that Cardinale debuted at Cannes in 1961 were Mauro Bolognini’s “The Lovemakers,” in which she costarred with Jean-Paul Belmondo, and Valerio Zurlini’s “Girl With a Suitcase,” in which she portrayed a self-reliant singer.
She returned to the Croisette in 1963 with two landmark pictures, “8½” by Federico Fellini and “The Leopard” by Luchino Visconti.The well-known actress confirmed in an interview that she shot both movies simultaneously.
Cardinale revealed that whereas Visconti preferred her to have black hair, Fellini preferred a golden appearance. Cardinale had very long hair at the time. Every two weeks, she had to change the color of her hair to suit their different opinions.
After that, Cardinale started a three-year career producing Hollywood films, appearing in two of them as co-stars alongside Rock Hudson, namely “Blindfold” and “Lost Command.”
She disclosed, “At the time, Universal wanted me to sign an exclusive contract,” about this encounter. Yet I responded, “No, I’m European.” I’m returning. However, they persisted a lot!
Unlike many other women, Cardinale has never participated in a nude scene. Aside from her work in movies, she is totally committed to women’s issues and has no desire in getting cosmetic surgery.
In an interview, she once disclosed, “I have never engaged in face-lifting—what do you think? similar things. “Wait until you are older; you will always be smiling,” my mother used to remark. It is accurate. Why then would you conceal it?
The actor is still heavily involved in the entertainment business; at one point, his film “And Now…Ladies and Gentlemen” was shown at the Cannes Film Festival outside of competition.
Her final motion picture role was in the Italian-Tunisian production “The Island of Forgiveness.”At the age of 77, Cardinale said of her continuous appearance on television, “The most important thing is to stay active.” Since time cannot be stopped, I dislike all of these facelifts and plastic surgery procedures.
The “All Roads Lead to Rome” actress was the 1957 winner of the title of “Most Beautiful Italian Girl in Tunisia.” See how the 86-year-old actress has changed throughout the years to showcase her breathtaking beauty.
Cardinale’s career spans several decades, demonstrating her enduring brilliance, grace, and fortitude. One of the most recognizable stars of Hollywood’s heyday, she has inspired others to embrace honesty and inherent beauty in addition to leaving a lasting impression on the motion picture business.
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