Debra Paget was extremely beautiful in her prime and charmed millions of Americans when she starred in Elvis Presley’s film debut, Love Me Tender.
The talented actress was ”touched by the hand of God,” according to legendary director Cecil B DeMille.
Apparently, even the ‘King of Rock and Roll’ became obsessed with her…
Debra Page was born on August 19, 1933, in Denver, Colorado. Her real was Dabralee Griffin – but the actress changed her name as she moved towards movie stardom.
Raised in a showbiz family, Debra’s parents moved to Los Angeles in the 1930s so that they all could be closer to developing the film industry in Hollywood. (Debra’s two sisters, Tala Loring and Lisa Gaye, also had substantial film & TV careers).
Debra, who always wanted to be a dancer, has described herself as a ”post-depression” baby. She came into the world during a devastating and prolonged economic recession. Her family didn’t have much, but Debra held her parents in high regard.
“When I looked back, we had so much love in our home,” Debra said when being interviewed by Dale Evans Rogers.
‘Most beautiful legs in the world’
Pushed by her mother, Debra enrolled in the Hollywood Professional School when she was 11.
The talented young girl landed never doubted herself, landing her first professional job aged eight. Soon after that, she starred in a production of Shakespeare’s The Merry Wives of Windsor.
Her motion picture career began at the age of 14, and her big break came in 1950 when she was cast in Broken Arrow. Co-starring alongside James Stewart, Debra Paget portrayed a Native American maiden called Sonseeahray (“Morningstar”).
Debra’s “exotic” looks won her several roles in adventure dramas, and she soon earned the reputation as the only starlet who had never been kissed.
In the 1950s, she earned the title “The most beautiful legs in the world” when the National Association of Hosiery Manufactures polled 15,000 people in the industry. The deeply religious Debra won by a wide margin, according to The Baltimore Sun.
As a 14-year-old, Debra had signed an exclusive contract with 20th Century Fox. But it was when Paramount Pictures borrowed Debra for The Ten Commandments that she made her most successful movie.
Debra played the part of Lilia, the water girl, in Cecil B. DeMille’s giant biblical, spectacular movie. The blue-eyed Debra had to wear brown contact lenses – something that caused quite some trouble for her.
“If it hadn’t been for the lenses, I wouldn’t have gotten the part. They were awful to work in because the klieg lights heated them up,” she said.
The movie, which won seven Academy Awards, changed her life forever.
”It was probably the highlight of my career, ” Debra said.
Meeting Elvis
Debra Paget was a 22-year-old established Hollywood star when she stepped onto the set of Love Me Tender. Back then, she was probably the most beautiful actress of the Hollywood Golden age. And that is saying something.
She and Elvis Presley first met months earlier when both appeared on the Milton Berle Show on June 5, 1956. It was the moment when Elvis shocked conservative America by gyrating his famous, or infamous, pelvis during his now-iconic rendition of Hound Dog.
“Although I usually don’t form an opinion of a person until I have met him,” she explained. “Frankly I looked forward to my first meeting with Elvis Presley with mixed emotions. I’d heard and read a lot about this new young singing sensation from Tennessee—and most of it was not complimentary.”
The young singer surprised Debra in many ways during their first, memorable meeting. As a born-again Christian, you might think that Debra disliked The King, but it was quite the opposite.
When Mr. Berle introduced the 21-year-old rising star to Debra, he firmly grabbed her hand and said: “I’m glad to meet you, Miss Paget.”
Elvis then shook her mother’s hand with ”equal vigor,” excused himself, and a couple of minutes later came back with a chair for her.
“We were together for only a couple of hours but sometimes you can learn more about a person in a short span of time than in weeks of seeing one another constantly. I felt I did. From the very beginning, Elvis impressed me as a pleasant, sincere, obliging young man,” Debra recalled.
The proposal
A few months later, Debra starred opposite Elvis in Love Me Tender – his first movie. According to Daily Express, the singer became obsessed with his co-star. He believed that Debra was ”the most beautiful girl he had ever seen” and even visited her parent’s house.
“From the time he first came to the house, my folks have considered Elvis a member of the Paget clan—a feeling which, I believe, he reciprocated,” Debra explained.
But Debra and Elvis’s relationship was more family-oriented than a whirlwind romance – at least in the eyes of the young actress.
“I was very shy, very quiet and very immature for my age. I was in my very early 20’s but I was emotionally more like a 16-year-old. Elvis and I just sort of came together like a couple of children really.”
Elvis, however, seems to have thought otherwise.
“Following the film, he did ask me to marry him but my parents objected to my getting married. I cared about Elvis, but being one not to disobey my parents, that did not take place,” Debra shared.
In the end, Debra turned Elvis down – she had already fallen in love with Howard Hughes, a famous film producer and billionaire.
Debra would later marry actor and singer David Street, but she always spoke fondly of Elvis. And Elvis didn’t forget Debra either – many think she did set the template for Elvis’ fixation with the ‘Debra Paget look.’ For example, it was reported that young Priscilla Beaulieu changed her hair and make-up when she learned about Debra.
Debra left the entertainment industry in 1964 and is now 89 years old. Sadly, there is not much information about her life today; Debra seems to live a quiet and private life out of the limelight.
Elvis and Joan Blackman
Interestingly, Elvis’s proposal to Debra in the late 1950s wasn’t the only time he wanted to marry a co-star. After shooting Blue Hawaii with Joan Blackman in 1961, he wanted to tie the knot with her as well – while he was dating Priscilla.
Joan Blackman, who looked very much like Priscilla, has shared what really happened during the making of Blue Hawaii.
“When we first set eyes on each other (in 1957), there was a spark, a magic in the air… There was just that special something between us, sometimes so warm and wonderful you could almost reach out and touch it,” she told the Midnight Globe newspaper in 1977.
In the sensational interview, Joan Blackman said that Elvis ”really wanted” her as his wife and that he repeatedly begged her to appear in his movies, but she turned him down each time.
“I wanted parts because of my ability, not because I was dating Elvis,” she stated.
Unraveling the Multifaceted Artistry of Paul Giamatti: 15 Surprising Revelations
The Legacy of a Legendary Commissioner
Intriguingly, Giamatti’s connection to the world of baseball extends beyond his personal fascination. His father, Bart Giamatti, served as the president of the National League and was later appointed as the Commissioner of Major League Baseball. During his brief tenure, the elder Giamatti made a lasting impact by banning the legendary Pete Rose from the sport, a decision that would reverberate through the annals of sports history.
The Allure of Supporting Roles
While Giamatti has demonstrated his prowess as a leading man in films like “American Splendor” and “Sideways,” the actor has expressed a particular fondness for supporting roles. He believes that these smaller, more eccentric parts allow him to explore a wider range of expression and bring a distinct vibrancy to the characters he portrays. This preference for the “character actor” approach has been a defining aspect of Giamatti’s career, showcasing his versatility and commitment to the craft.
The Discerning Eye of M. Night Shyamalan
Director M. Night Shyamalan, who collaborated with Giamatti on the film “Lady in the Water,” recognized the actor’s leading-man potential, likening him to the esteemed Tom Hanks. Shyamalan praised Giamatti’s captivating on-screen presence, noting his “beautiful eyes” and the audience’s natural inclination to empathize with the characters he portrays – a testament to his remarkable talent and screen presence.
The Challenges of Early Roles
While Giamatti has since become a celebrated actor, his early days in the industry were marked by some unique challenges. One of his most memorable experiences involved a role in an episode of “NYPD Blue,” where he was required to lie in real human feces, surrounded by a “squatters village” and a “real lunatic” who would occasionally pelt him with debris. Despite the unpleasant conditions, Giamatti persevered, demonstrating his dedication to the craft and his willingness to push the boundaries of his craft.
The Unexpected Journey of “Sideways”
Giamatti’s performance in the critically acclaimed film “Sideways” is widely regarded as one of his most iconic roles. However, the actor himself was initially skeptical about the project, wondering if anyone would be interested in a movie about wine. Giamatti’s doubts were quickly dispelled as the film went on to become a critical and commercial success, earning him widespread acclaim and recognition.
The Trials and Tribulations of “Sideways”
Giamatti’s experience on the set of “Sideways” was not without its challenges. In addition to grappling with food poisoning, the actor also found himself in a state of inebriation during one particularly memorable dinner scene, a situation that he jokingly suggested may have contributed to his lack of an Oscar nomination for the film.
The “Oscar Snub” That Didn’t Faze Him
Despite the widespread recognition and acclaim for his work in “Sideways,” Giamatti was notably absent from the list of Oscar nominees, a decision that left many fans and critics perplexed. However, the actor himself remained unfazed by the “snub,” acknowledging that he had not expected the nomination in the first place and was more concerned with the disappointment expressed by others.
The Road Not Taken: “The Office”
In a surprising twist, Giamatti was approached to play the iconic role of Michael Scott in the American adaptation of the British sitcom “The Office.” While the role ultimately went to Steve Carell, who delivered a legendary performance, the mere fact that Giamatti was considered for the part serves as a testament to his versatility and the esteem in which he is held by industry executives.
Dual Presidential Portrayals
Giamatti’s impressive acting range has allowed him to take on the roles of not one, but two U.S. Presidents. First, he portrayed the titular character in the HBO miniseries “John Adams,” a performance that earned him a Golden Globe Award. Years later, he lent his voice to the character of Teddy Roosevelt in Ken Burns’ acclaimed documentary series “The Roosevelts: An Intimate History.”
The Guiding Principle of Non-Boredom
When it comes to selecting his roles, Giamatti adheres to a simple yet effective criterion – the avoidance of boredom. The actor has openly stated that his primary motivation is to find projects that will challenge and engage him, allowing him to explore a diverse array of characters and experiences. This approach has undoubtedly contributed to the richness and depth of his filmography.
Embracing Typecasting with Nuance
While Giamatti acknowledges that he has been typecast in certain types of roles, he has embraced this categorization with a refreshing perspective. The actor recognizes the value in playing “oddballs” and “ambivalent, spiky, weird, unpleasant people,” as these characters allow him to delve deeper into the complexities of human nature and bring a unique flair to his performances.
The Self-Critical Artist
Like many accomplished actors, Giamatti is known for his tendency to be highly critical of his own performances. The actor has openly discussed his struggle to feel fully comfortable with his work on film, constantly striving to improve and refine his craft. This self-awareness and dedication to growth have undoubtedly contributed to the depth and authenticity of his portrayals.
The Moral Compass of “Billions”
In his current role as Chuck Rhoades in the hit Showtime series “Billions,” Giamatti has once again demonstrated his ability to breathe life into a complex and morally ambiguous character. While Rhoades may not always make the most ethical choices, Giamatti believes that the character is, at his core, a good-intentioned individual who is driven by a strong sense of justice and a desire to uphold the law.
Paul Giamatti’s journey from an aspiring academic to a celebrated actor has been marked by a series of captivating revelations and unexpected twists. From his childhood fascination with baseball umpires to his dual presidential portrayals, Giamatti’s multifaceted artistry has consistently defied expectations and captivated audiences worldwide. As he continues to push the boundaries of his craft, this versatile performer remains a true icon of the entertainment industry, inspiring awe and admiration with every performance.
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