A strong acapella song may enhance any type of music, whether it’s through the vocalists’ capacity to capture the listener’s interest or the absence of extraneous instruments that draw attention to the lyrics.
This is especially true of Brigham Young University’s (BYU) Vocal Point’s acapella rendition of the 2003 hit song “You Raise Me Up” by Josh Groban. They give this lively song a fresh new energy.
Students Dave Boyce and Bob Ahlander founded the acapella group BYU Vocal Point in 1991. After selling out their first performance, the foursome rose to prominence on campus.
In addition to placing fifth in the third season of NBC’s The Sing-Off, BYU Vocal Point has won other prizes since its formation.
They gained greater recognition for their talent in December 2018 when they announced on social media that they had inked a record deal with Universal Music Group’s Decca Gold, a classical label.
Member Jason Bromley remarked, “We’re just regular college students doing amazing things.”
The “You Raise Me Up” music video is an intense vocal excursion.
The “You Raise Me Up” music video is set against a stunning panorama of mountains and valleys.
A single clear voice begins the recording, then a moment later another one harmonizes with it to provide a rich, multi-layered sound.
Together with their bright, clear voices, the ensemble creates incredible vocal percussion sounds.
As they travel over the hilly terrain, the vocalists’ rendition of the song becomes more immersive.
The scenario almost devolves into an excessively calm state, illustrating the way in which music has the power to transport listeners.
Their harmonies work so effectively together that it’s difficult to determine who the lead singers are.
Instead of merely reproducing the original, they provide a remarkably fresh take on this widely covered song.
Their unique style and arrangement are incorporated into the song with a new hook at the end that enhances the harmonies. The crescendo is bolstered by an additional student chorus, making for an extraordinarily powerful conclusion.
You’re going to adore BYU Vocal Point’s incredible rendition of “You Raise Me Up.” While unwinding, take enjoy this unique and moving performance.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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