I treasured my mother’s ashes for three years after her death. Her urn was that one sacred thing I asked my fiancée to never touch. But in her rush to make our home spotless, my fiancée vacuumed up the ashes, threw them out with the trash, and hid the truth from me.
Does the death of a loved one mean they’re gone from us forever? My mother Rosemary was my sun, moon, stars, and everything in between. After her death, I still felt her presence through the urn that held her ashes. Until the day my fiancée decided to “clean” our apartment, and my world shattered all over again.
An older lady’s framed photo, an urn, and glowing candles on a table | Source: Midjourney
The evening air was thick with memories as I stood in our living room, touching the silver frame that held Mom’s favorite photo.
She wore her favorite white dress and smiled at the camera, her eyes crinkling at the corners.
It had been five days since the accident that killed Mom, but some days, the pain felt as fresh as the morning I got the call from the hospital.
A man holding an older woman’s framed photo | Source: Midjourney
“Hey, Christian,” my sister Florence called from the couch. She had moved in after Mom passed, and her presence helped fill the echoing emptiness of my heart.
“Remember how Mom would always say grace before dinner, even if we were just having cereal?”
I smiled, running my finger along the frame. “Yeah, and remember how she’d catch us sneaking cookies before dinner? She’d try to look stern but end up laughing instead.”
A sad woman looking at someone | Source: Midjourney
“God, the way she’d put her hands on her hips,” Florence said, wiping her eyes. “Like she was trying so hard to be mad at us.”
“‘Lord give me strength!’” we said in unison, mimicking Mom’s exasperated tone, and for a moment, it felt like she was there with us.
The front door opened, and my girlfriend Kiara walked in, her footsteps hesitant. She’d been like that since Mom died, always hovering at the edges of our grief, never quite knowing how to step in.
A woman in the hallway | Source: Midjourney
“I picked up dinner,” she said, holding up a takeout bag. “Chinese. From that place you like, Christian.”
“Thanks,” I replied coldly. Something had changed between us since Mom’s death. It was like a wall had grown where there used to be an open door.
Two weeks after the funeral, I came home early from work to find Kiara packing a suitcase. The sight stopped me cold in the doorway.
“Where are you going?” I asked, though the answer was written in every careful fold of clothing she placed in the bag.
A woman packing her clothes | Source: Pexels
She didn’t look up. “I need some time, Christian. This… all of this… it’s too much.”
“Too much? My mother died, Kiara. What did you expect?”
“I don’t know how to help you!” She finally met my eyes, her own filled with tears. “You cry every night. You spend hours staring at her pictures. You and Florence keep talking about memories I wasn’t part of, and I feel like an outsider in my own home.”
“So your solution is to leave? When I need you most?”
A sad man looking at someone | Source: Midjourney
“Please try to understand—”
“Understand what? That my girlfriend of four years can’t handle a few weeks of grief? That you’d rather run away than support me?”
“That’s not fair!” Kiara’s hands trembled as she folded another shirt. “I’m trying my best! But it looks like you’ll take forever to move on, Chris.”
“Your best?” I grabbed the shirt from her hands. “Your best is packing your bags while I’m at work? Not even having the decency to tell me to my face that you care more about yourself than me… and my grief?”
A shocked woman | Source: Midjourney
“I was going to call you—”
“Oh, that makes it so much better!” I threw the shirt across the room. “What happened to ‘I’ll always be there for you’? What happened to ‘we’re in this together’?”
“I’m not equipped for this, Christian. I can’t be what you need right now.”
“I never asked you to be anything but present, Kiara. Just to sit with me, to hold my hand, to let me know I’m not alone. But I guess that’s too much to ask, isn’t it?”
A distressed man with a woman | Source: Pexels
She picked up her suitcase, her shoulders shaking. “I’m staying with my friend Shannon for a while. I’ll text you. I just… I need space to figure this out.”
“Figure what out? How to be a decent human being? Go ahead, run away. It’s what you’re good at, isn’t it?”
Kiara left without saying anything.
Florence moved in the next day, bringing with her the comfort of shared grief and understanding. We spent evenings looking through old photo albums, crying together, and laughing at memories of Mom’s terrible dancing and amazing cooking.
A man watching a woman leave with her bag | Source: Pexels
“She would have hated this,” Florence said one night, gesturing at the takeout containers littering our coffee table. “Remember how she used to say fast food was ‘the devil’s cooking’?”
“But she’d still take us to McDonald’s after doctor appointments,” I added, smiling at the memory. “Said it was ‘medicinal French fries.’”
“Chris, did Kiara call?”
“Nope! Just texted. You know, I stayed with her through her father’s illness, her bad days, her everything. And yet here I am, alone in my own grief. I needed her, but maybe she just didn’t love me enough.”
An upset an sitting on the couch | Source: Pexels
The only way Kiara contacted me was through texts like, “Hope you’re okay.”
I typed and deleted, “I needed you, Kiara.” But sent, “I’m managing. Thanks.”
A month after Kiara left, she asked to meet at our usual coffee shop. She sat across from me, looking smaller somehow, her hands wrapped around an untouched latte.
“Shannon’s boyfriend confronted me yesterday,” she hesitantly began. “Called me selfish and cold-hearted. Said I abandoned you when you needed me most.”
A woman in a coffee shop | Source: Unsplash
I stayed silent, watching her struggle with the words.
“He was right,” Kiara continued. “I’ve started therapy, Christian. I want to be better. I want to learn how to be there for you, even when it’s hard. Especially when it’s hard.”
“How do I know you won’t leave again?” I asked, the fear raw in my voice.
“Because I love you,” she replied, reaching across the table. “And I’m learning that love means staying, even when it hurts. Even when you don’t know what to say or do. I’m sorry for being a jerk.”
A woman holding a man’s hand | Source: Unsplash
Life settled into a new pattern after that. Kiara moved back in, and three years later, we started planning our wedding.
Mom’s urn remained on its special table in the corner, surrounded by her photos and her plastic rosary — the one she’d carried everywhere, even to the grocery store.
“We should divide the ashes,” I suggested to Florence one evening. “You could have half.”
She shook her head, touching the urn gently. “No, let’s keep them together. It’s what Mom would have wanted.”
An urn on a shelf | Source: Midjourney
I nodded, tears welling up in my eyes as I thought about Mom and how much I’d miss her at my wedding. I’d already decided: the urn with her ashes would have a special spot in the front row of the church. It would make me feel like Mom was there, blessing me as I took this important step in my life.
The wedding planning consumed our days. And Kiara seemed different. She was more present and understanding.
She held me when the grief hit unexpectedly, sat through stories about Mom without fidgeting, and even asked questions about her sometimes.
Grayscale shot of bridal accessories | Source: Pexels
Then, the call from Florence came on a Tuesday evening, just three days before my wedding. “Hey, Chris? I was wondering if I could have Mom’s rosary. The plastic one? I found a photo of her holding it, and—”
“Of course,” I said, moving toward the urn. “Let me just—”
The words died in my throat as I opened it. Inside, where Mom’s ashes should have been, sat a Ziploc bag filled with… SAND? The rosary lay beside it, exactly where I’d left it three years ago.
The front door opened, and Kiara walked in carrying shopping bags. One look at my face, and hers drained of color.
“What did you do to Mom’s ashes?” I asked.
A man pointing a finger | Source: Pexels
She set the bags down slowly, her hands trembling. “Honey, it’s not what you think. I didn’t do it intentionally—”
“What did you do, Kiara?”
A long silence followed. Then she confessed, “I was cleaning while you were at work a few months ago. The apartment needed a deep clean, and—”
“And what?”
“I picked up the urn to clean the table and accidentally dropped it. It shattered. I quickly assembled the ashes into a bag. But the bag tore. The ashes spilled onto the carpet. I… I panicked. I vacuumed them up and threw the ashes into the trash outside.”
My knees buckled. “You vacuumed my mother’s ashes and threw them in the trash?”
A woman using a vacuum cleaner | Source: Pexels
“I didn’t know what to do. I got some sand from the park nearby. Found a replica of the same urn in the antique shop downtown. I filled it up with the sand. I… I thought you’d never open it again.”
“Never open it? You thought I’d never want to see my mother’s ashes again?”
“I was trying to clean the house. It was just an accident.”
“Clean?” I slammed my hand against the wall. “Those weren’t dust bunnies under the couch, Kiara! That was my mother! The only physical piece of her I had left!”
A shocked man | Source: Midjourney
“I’m sorry, Christian!” she sobbed. “I wasn’t thinking!”
“Clearly!” I picked up the urn, cradling it to my chest. “You weren’t thinking when you decided to ‘clean’ around the one thing I specifically asked you never to touch. You weren’t thinking when you vacuumed up my mother’s remains like they were dirt. And you certainly weren’t thinking when you replaced them with sand and lied to my face for months!”
“Please, Christian, we can fix this—”
“Fix this? How exactly do you propose we fix this, Kiara? Should we go dumpster diving? Should we sift through garbage bags looking for my mother’s ashes?”
An emotional, teary-eyed woman | Source: Midjourney
“I’ll do anything—”
“Did you even try, Kiara? Did you even attempt to salvage anything? Or did you just panic and run to the park for sand, like you always run away when things get hard?”
Her silence filled the room like poison.
“That’s what I thought.” I started gathering Mom’s photos from the table before dumping the sand from the urn. “You know what the worst part is? I actually believed you’d changed. I thought all that therapy and all those promises meant something. But you’re still the same person who left me when my mother died. You’re still running from the hard stuff.”
Close-up shot of an angry man yelling at a woman | Source: Pexels
“Our wedding’s in three days. Please… I’m sorry. Don’t leave me. Where are you going, Christian?”
“Away from you!” I grabbed my keys and things. “I can’t even look at you right now.”
Before stepping out, I looked back, hoping stupidly for a sign of regret. Anything to show she understood what she’d done.
But Kiara just stared at the floor, her face unreadable, and already distant. My chest tightened, and the last bit of hope drained out of me. Without another word, I turned and left, the empty urn heavy in my hands.
A man walking away with a suitcase | Source: Pexels
The hotel room I checked in felt sterile and cold. I sat on the edge of the bed, Mom’s photos spread around me. My phone buzzed continuously with messages from Kiara, but I couldn’t bring myself to read them.
How would I tell Florence? How could I explain that the last piece of our mother was likely buried in a landfill or blown away like dust because my fiancée treated her remains like dirt?
As dawn broke, I stared at the urn one last time, realizing I was left with only emptiness and betrayal.
A distressed man | Source: Pexels
Things would never be the same, and I didn’t know if I’d ever be able to forgive my fiancée. Maybe I didn’t want to. Maybe I never could. But deep down, in a corner of my heart, I hoped my mother would forgive me.
I took the rosary, feeling the familiar smooth plastic under my fingers.
“The night before your accident, you made Florence and me promise to keep it safe, Mom. Said it would help us find our way when we felt lost,” I whispered, tears brimming in my eyes.
“Maybe that’s why you wanted us to have it. Because you knew that someday, we’d need something more than your ashes to hold onto.”
A man holding a rosary | Source: Pixabay
I clutched the rosary tighter, remembering Mom’s words, “Love isn’t in the things we keep, dear. It’s in the memories we make and the forgiveness we offer.”
I don’t know if I can forgive Kiara. Every time I close my eyes, I see Mom’s ashes being sucked away into nothing. How do you forgive something like that?
I stepped out onto the seashore nearby. The city lights blurred through my tears as I clutched the empty urn and rosary to my chest. A gentle breeze stirred, reminding me of how Mom used to say the wind carried whispers from heaven.
An emotional man’s eyes | Source: Unsplash
“I’m sorry, Mom,” I said, looking up at the sky. “I’m so sorry I couldn’t protect your ashes. I had one job — to keep you safe. But I failed. But I want you to know… wherever you are… that you’re still here with me. In every breath I take, in every memory I hold, and in every prayer these beads have witnessed. I love you, Mom. I’ll love you until my last breath and beyond that. Please forgive me.”
The wind seemed to wrap around me like one of her warm embraces, and for a moment, I could almost hear her whisper, “There’s nothing to forgive, dear. Nothing at all. Love you too.”
Silhouette of a man standing on the seashore | Source: Pexels
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Actor Ali MacGraw sacrificed her own career for Steve McQueen
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
Leaving show business
At the same time, several of her movies, such as Players (1970) and Just Tell Me What You Want (1980) flopped.
“It’s brutal for women,” MacGraw told The Guardian about returning to show business in the late 1970s.
“I don’t think there’s a woman over 40 who’s ever been conspicuously in the spotlight who doesn’t get sick of the kind of questioning the media lays on you, the fashion industry, all of it. It’s cruel.”
MacGraw had a short stint as a Hollywood superstar actress. Thereafter, she decided to start working in interior design instead, but didn’t fully give up on her show business career. She appeared in the television miniseries The Winds of War (1983) and China Rose (1985), but soon, her life would change for the worse.
Ali MacGraw simply couldn’t get any work in film, and she thought she was useless. At the same time, she didn’t feel complete unless she had a partner, describing being in love like “a drug high”.
She felt alone and desperate, and drank heavily. In 1986, she checked herself into the Betty Ford Clinic in California.
“The worst stuff happened when I drank,” she said. “I lost my judgment; I fancied other women’s husbands.”
Family tragedies
Her son Josh Evans was 15 at the time and had a hard time watching his mother suffering. MacGraw spent 30 days in group therapy and came out a stronger person.
In 1993, another family tragedy occurred when her house in California burnt down due to a wildfire. She then decided to move from Los Angeles and settled in a town near Santa Fe, New Mexico.
“I live in a little village north of Santa Fe, New Mexico called Tesuque,” she revealed last year.
According to McGraw, her neighbors don’t see her as a former Hollywood star – instead they appreciate all the community work she’s been doing.
For example, she has been doing volunteer work at the annual International Folk Art Market in Santa Fe, New Mexico.
Ali MacGraw left acting, but in 2006, she found herself once again on stage. She reunited with her Love Story co-actor Ryan O’Neal in the Broadway adaptation of the Danish film Festen.
Outside of the Broadway show, MacGraw’s been out of the spotlight the last couple of decades. She’s put her heart into work for animal rights … and produced plenty of successful yoga videos.
Speaking to the Herald-Tribune in 2019, MacGraw stated that she’s still open to new adventures and work.
“One of the lucky things for someone my age is that I’m open and curious,” MacGraw said. “There’s not just one thing I love to do and feel bereft if I can’t. But I know that I’m not happy when I’m not doing something creative.”
Josh Evans – Ali MacGraw
Even though Ali left acting, her family still has a foot in the business. Son Josh Evans is an actor and director, and he’s made a great name for himself in Hollywood.
Also, he looks so much like his mother!
Being the child of Hollywood celebrities Robert Evans and Ali MacGraw certainly came with plenty of pressure.
But for Josh Evans, born in January of 1971, it was pretty much show business he wanted to do from the start.
The first job he ever wanted to do, however, wasn’t in the film business. He didn’t dream about working as an actor, but it was just one of those things that happened.
In 1989, Josh Evans had a small part in Dream a Little Dream (1989), but he wanted to do more. As a teenager with nothing to lose, he used to go to the manager’s office to see the breakdowns of movies being made.
Josh Evans – actor & director
That’s when he met someone he recognized in famous director Oliver Stone. He was making Born on the Fourth of July at the time, starring Tom Cruise. And Josh wanted in.
“At the time I just knew [Oliver Stone] from Platoon. He was making a movie with Tom Cruise and there was a role for the little brother. I wanted to play that part, so he got me a meeting with Oliver Stone,” Josh Evans recalls.
“When I sat with him, Oliver asked ‘Oh, you think you look like Tom Cruise?’. Now knowing him, I realize he was mocking me, but I said, ‘Yeah, I do.’ So, he said, ‘We’ll see what happens.’ Four months later, I got a call to audition and I got the part. It was very exciting and you could feel how special that movie was going to be.”
Since then, Josh has had a great career both acting and directing. He starred in the biographic film The Doors in 1991 and since, he’s been both acting and directing.
With eight films on his resume as a director, he actually had Michael Madsen starring in his 2015 film Death in the Desert. But what does he like best?
“I am definitely more comfortable on the side of the camera that does not show myself,” Josh Evans says.
“If an interesting opportunity presents itself, I am not opposed to it. I think there are other people out there who are more qualified and want it more than I do. As far as directing and telling my stories, I would do that for free, whereas acting is more of a job, but I enjoy it once I do it.”
Josh Evans – family
Josh is a really handsome man, and the resemblance to her mother Ali MacGraw truly is great, especially in his big wonderful eyes.
In 2019, his father – Ali’s ex-husband – Robert Evans passed away. However, the family had the great memory of being together for him when he was honored with a star on the Hollywood Walk of Fame in 2012.
Josh has been married twice. In October 2012, he married American singer and musician Roxy Saint. By then, their son Jackson was two years old – Grandma Ali MacGraw loves spending time with her wonderful family.
“He’s so wonderful,” MacGraw said about her son. “He’s my favorite human being on the planet, and he goes out with a girl I’m nuts about. Their relationship is so much about, among other things, friendship and respect.”
Ali MacGraw and Josh Evans surely are very proud of their wonderful family. We wish them all the best in the future, and who knows, maybe we’ll see them on the same stage or movie set in the future?
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