Sally Field, an actress who has won Academy, Emmy, and Golden Globe Awards, is well-known for her parts in the films “Forrest Gump,” “Brothers and Sisters,” “Lincoln,” and “Steel Magnolias.”
The 76-year-old actress launched her career in 1965 with the lead part in “Gidget.” She has since made several TV appearances, motion pictures, and Broadway performances.
Field has also been open about her struggles in her personal life. She discusses her stepfather’s sexual abuse of her as well as her battles with depression, self-doubt, and loneliness in her 2018 memoir “In Pieces.”
On November 6, 1946, Sally Field was born in Pasadena, California. Her mother was the actress Margaret Field (née Morlan), and her father was a salesman named Richard Dryden Field. Her mother married actor and stuntman Jock Mahoney following her parent’s divorce. Richard Field, Sally’s brother, and Princess O’Mahoney, her half-sister, are both living.
HER PERSONAL LIFE
Sally Field married Steven Craig in 1968, and they had two sons, Peter and Eli. They divorced in 1975, and she married Alan Greisman in 1984. They had one son together, Samuel, before divorcing in 1994. From 1976 to 1980, she dated Burt Reynolds, a difficult relationship she discusses in her memoir.
She recounts his controlling behavior and how he convinced Field not to attend the Emmy ceremony where she won for “Sybil.” Reynolds actually died just before her book’s release, and in his own memoir, he called their failed relationship “the biggest regret of my life” in his 2015 memoir “But Enough About Me.”
Meanwhile, Fields said they hadn’t spoken for 30 years before his passing. “He was not someone I could be around,” she explained. “He was just not good for me in any way. And he had somehow invented in his rethinking of everything that I was more important to him than he had thought, but I wasn’t. He just wanted to have the thing he didn’t have. I just didn’t want to deal with that.”
These days, Sally Field keeps her Oscars and Emmys in a TV room where she plays video games with her grandkids. So far, Field shows no signs of retiring with her film “Spoiler Alert” releasing next week, as well as “80 for Brady” coming in 2023.
“As an actor, she dared this town to typecast her, and then simply broke through every dogmatic barrier to find her own way — not to stardom, which I imagine she’d decry, but to great roles in great films and television,” said Steven Spielberg, her friend and “Lincoln” director. “Through her consistently good taste and feisty persistence, she has survived our ever-changing culture, stood the test of time and earned this singular place in history.”
Joy Behar Calls Dolly Parton’s Jolene Anti-Feminist And Fans Come Unglued
There doesn’t seem to be a shortage of viewpoints these days, and people are willing to argue almost anything. The View, where the hosts explore some of the most fascinating subjects, is one venue where these discussions frequently take place.
Joy Behar, one of The View’s members, recently sparked a heated discussion by questioning the renowned country song “Jolene” by Dolly Parton, implying that it might have anti-feminist connotations.
Behar even went so far as to declare that Beyoncé’s more current rendition of “Jolene” was better. People’s attention is being drawn to the intense conversation that has been ignited by this comment.
Joy Behar is not afraid to voice her opinions, and she made sure the show’s producer knew that she preferred Beyoncé’s performance of “Jolene.” Behar claims that Dolly Parton’s rendition of the song displays possessiveness and insecurity, especially when Parton is pleading with the mistress not to take her lover.
This notion, according to Behar, is antifeminist because it suggests that women should be worried that their men might cheat on them because they are attracted to other women. She feels that it undercuts women’s empowerment.
However, Beyoncé’s rendition of “Jolene,” known as “Cowboy Carter,” presents an alternative viewpoint. In the song, Beyoncé issues a warning to the other person, telling them to avoid her connection, instead of pleading with them.
Naturally, a lot of people—including country music icon Reba McEntire—had comments about the matter. McEntire just chuckled when asked about Joy Behar’s remark and complimented Beyoncé on her contributions to the country music genre.
Behar praises Beyoncé’s performance of “Jolene” for its strong message, but she still maintains that Dolly Parton’s song is anti-feminist. Behar claims that Beyoncé’s rendition shows a self-assured lady who is prepared to face the difficulties in her relationship head-on.
Fascinatingly, Dolly Parton appears to value Beyoncé’s rendition of the song, which adds another dimension to this continuing discussion.
As long as people are willing to talk about it, this argument will undoubtedly continue. Undoubtedly, Joy Behar evoked powerful feelings, and not everyone finds it amusing.
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