Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)

Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.

“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.

Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.

In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.

How Vertigo Actress Kim Novak Spent Her 91st Birthday with 'Friends and Lots of Fudge'
Kim Novak in November 2023. Courtesy of Sue Cameron 

Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.

“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”

“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.

“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.

“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”

After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.

As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”

Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.

“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”

“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”

VERTIGO, Kim Novak, 1958.
Kim Novak in “Vertigo” (1958). Everett

“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”

She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”

“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.

Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”

“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”

She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.

kim novak
Jimmy Stewart and Kim Novak in “Vertigo”. Richard C. Miller/Donaldson Collection/Getty

“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”

In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”

She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”

“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”

“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”

“This is who I am. I want people to see I was not just a movie star.”

Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”

The Journey of Phil Collins: A Remarkable Career

Phil Collins, the legendary lead singer and drummer of Genesis, has had a tremendous amount of success in the music business throughout his remarkable career. He is honored to be included in the select group of musicians, including Michael Jackson and Paul McCartney, who have together sold over 100 million records in both solo and group projects. Born in London, England on January 30, 1951, to parents with a passion for the arts, Collins was surrounded by music from a young age.

Collins’s uncle gave him a homemade drum kit when he was five years old. His unique sound would be shaped by this kit, which included miniature drums, triangles, cymbals, and tambourines, and it would also set the path for his musical career.

Collins was enthralled with the burgeoning English beat culture as a child, led by bands like The Shadows. Playing often at parties thrown by his parents’ boating club, he embraced the new and vibrant musical scene that was developing.

Collins was intrigued to the rock and roll genre after being exposed to it. He bought a record player and The Beatles’ “Please Please Me” album when he was fourteen years old. He put his drum set in front of a mirror and turned up the sound so he could practice drumming more. He could participate in this way without having to look away.

Collins was motivated to learn how to read drum sheet music, so he started tutoring students. He was aware of the usefulness of written music for playing in orchestras or dancing bands, but he soon found that playing purely intuitively spoke to him more.

Collins’ life unexpectedly took an unexpected turn in the 1970s when he came across an ad looking for a drummer for the band Genesis. Collins took a chance and contacted them, and they accepted him, ushering in his remarkable musical career.

Collins was essential to Genesis during his tenure, eventually taking over as lead vocalist when other acceptable alternatives failed to materialize. Collins overcame difficulties in adjusting to his dual duty as drummer and vocalist and went on to become one of the best musicians in the business.

Collins had enormous success both as a solo artist and as a member of Genesis. He produced singles that will never be forgotten, including “In The Air Tonight,” “You Can’t Hurry Love,” and “I Don’t Care Anymore.” He chose to pursue other musical endeavors after 25 years with Genesis, concentrating on solo work, film music, and jazz ventures. But he got back together with his old bandmates in 2017 to go on the world tour for Last Domino.

Sadly, the tour had to be postponed because of the epidemic. Concerns regarding Collins’ health surfaced during an interview with BBC Breakfast, just before the tour started. With Collins returning to the vocals and his son Nicholas Collins taking up the drums, the band is optimistic about upcoming shows.

Although Nicholas is a superb drummer, Genesis keyboardist Tony Banks recognizes that he adds a special force to the songs from the early Phil Collins catalog. Phil said, “I’d like to, but I can scarcely grip a stick with this hand,” in response to a question regarding his absence from the drum kit. Collins is adamant about pursuing his musical dreams despite his physical restrictions and is willing to get over any barriers that stand in his way.

The narrator himself, a man our age, spoke openly and with a deep sense of loss about his physical struggles in a recent interview. He thought about how he could never travel with his son or share in his travels. He had to make a tough choice on whether to pursue his musical career further or give it up. It was obvious that either because of physical constraints or deliberate decisions, he would have to give up something that was important to him. He worried a lot about the consequences of missing out on life’s prospects because things were changing so quickly.

Despite everything, Phil Collins continues to be an inspiration, exhibiting fortitude and a strong love of music despite hardship. His story offers as a monument to the strength of pursuing one’s goals in spite of obstacles. We celebrate the lasting impact he has made on the music industry and look forward to his potential future musical efforts as we reflect on his incredible career.

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