Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
3 Real-Life Stories of People Who Found Photos from the past They Shouldn’t Have Seen
What if a single snapshot from the past held the power to dismantle your present? These accounts reveal the hidden secrets and connections lurking in forgotten photographs and prove that it’s not always easy to uncover the truth.
A businessman and a teenager are confronted with an image from the past that changes the course of their lives, while a child is traumatized by the painting behind his grandparents’ old picture. Let’s discover what happened to each of them in these three shocking stories.
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Millionaire Demolishes Old Man’s House, Unexpectedly Sees His Childhood Photo among Ruins
I’m Elliot, and I used to think success was all about money. As a real estate developer, I thrived on transforming landscapes and turning empty lots into expensive buildings.
My latest project, a deluxe shopping mall, was going to be my masterpiece. But there was a problem: an old house smack in the middle of my prime location.
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The owner, Joe, was an elderly man who stubbornly refused to sell. I tried everything to reason with him. I offered him a more than generous amount for the land, and when that didn’t work, I used a bit of intimation. After all, I had connections with the major.
“Please stop,” he begged, his voice cracking, “this house is all I have left. It’s my only treasured memory. Don’t make me homeless. I have nowhere to go.”
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His words hit deep, but I had deadlines, investors breathing down my neck, and a reputation to maintain. Sentimentality couldn’t play a part here.
The major eventually approved the rezoning of the land, so Joe would have to go, regardless of whether he accepted my money or not.
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“Look here, old man. I’m bringing this thing down in two weeks. All you’ve got to do is pack your stuff,” I said when I visited again, but I left quickly, refusing to hear another word from this man.
As expected, I got what I wanted. Demolition day was a spectacle. The roar of machinery, crashing bricks, and dust clouding the air were signs of my victory.
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“Getting rid of that old thorn was so easy!” I thought as I walked through the debris. Then I saw it.
A broken picture frame with a faded photo. It was a young woman holding a baby. More specifically, it was my mother and me.
“WHAT IS IT DOING HERE?!” I gasped, grabbing it with trembling hands.
What was our old picture doing in this old man’s house? Then, a vague memory came. While raising me alone, she had sometimes spoken of a kind stranger who helped her during her darkest hours.
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She never forgot that man, even through the sickness that took her life, but apparently, I did. Could this be him? The man whose life I’d just destroyed? Why didn’t I remember him?
Guilt and fear ran through my mind. So, I called some people, pulled several strings, and discovered that Joe had relocated to a nursing home after I forced him out of his property.
“What are you doing here??” he rasped when he saw me, his eyes filled with pain. “Did you come here to gloat?”
I knelt beside him, shaking my head. “No, Joe, I found this…” I held the picture up.
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His expression softened. “Samantha,” he sighed, a wistful smile gracing his lips. “She was like a daughter to me.”
Then, he told me how he’d found my mother, abandoned and destitute in the rain, with me in her arms. He gave her shelter and helped her rebuild her life. She and I lived in the house I’d just destroyed for five years.
For illustration purposes only | Source: Midjourney
This meant that Joe and his old home were the reason I was standing there, successful and wealthy.
What’s more, I’d repaid his past kindness with cruelty. Shame burned through me.
But I had a chance to make things right.
The next day, I halted the mall project. After, I reworked things with lawyers, the major, and the investors. It took a lot of convincing, but it was for the best in the end.
For illustration purposes only | Source: Unsplash
Soon, I had Joe’s house rebuilt, brick by brick, more beautiful than before. Then I presented it to him while begging his forgiveness.
“I forgive you, Elliot,” he said, his eyes filled with compassion. “You saw your errors and started to make amends. Your mother would be proud.”
Afterward, I became a frequent visitor at Joe’s house, and as I learned from his wisdom, I changed my ways.
Aside from lucrative pursuits, which I made sure never displaced honest people from their homes, I also worked with non-profit organizations. Together, we rebuilt and renovated homes within the community.
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This was how I learned that success was more than just projects and numbers in my bank account. It was also about the impact you left on the world.
Girl’s Entire Life Turns Upside Down When She Discovers Who Her Real Mother Is
My mom was always seriously strict. So, when my BFF Stacy invited me to her party, I knew I had to devise a plan. I mean, I was almost 16! All my friends went to parties.
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So, I tried reasoning with her. I reminded her about my awesome grades, how I helped around the house, and how I was basically the perfect daughter. But she wasn’t buying it.
“No,” she said before I even finished asking.
My dad, as usual, was no help. He always sided with her. Frustrated, I blurted out, “If Meredith were here, she would support me!” Meredith was my older sister, and my rock.
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But Mom simply told me to go to my room and have my tantrum there.
I was so mad I slammed the door. But once inside, I knew one thing: I wasn’t giving up. I was going to that party!
Later that night, after my parents went to bed, I snuck out through the garage. I’d done it a million times before. But this time, I bumped into a shelf and knocked some stuff over.
As I was picking things up, panicking, an unfamiliar photo caught my eye. It was Meredith, but she looked about my age…and she was pregnant!
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My mind raced. Where was this child? My niece or nephew? Then it hit me. Could she be my…? No, that wasn’t possible.
Shaking my head, I shoved the photo in my pocket. I had to get to Stacy’s! This could wait.
The party was awesome! Everyone was dancing and having fun. But then, someone yelled, “COPS!”
It was total chaos. In the confusion, I ran straight into a police officer on my way out. To make matters worse, he took a whiff of my breath and put me in the back of a squad car.
For illustration purposes only. | Source: Midjourney
At the police station, I called Meredith. I couldn’t call my parents; they’d kill me! Meredith was super annoyed about having to drive to the station and pick me up, but she still came.
Once I saw her, I was reminded of the photo in my pocket. So, in the car, I showed it to her.
“Oh boy,” she said, her eyes wide.
“Why are you pregnant in this photo? And where is the baby?” I asked, tilting my head.
Meredith sighed. “We need to talk, but Mom and Dad should be there for this.”
For illustration purposes only | Source: Midjourney
“Just tell me!” I begged, but she shook her head and kept driving.
We pulled into Mom and Dad’s driveway, and I saw they were already awake. They must have noticed I wasn’t in my room, or perhaps Meredith had called them before picking me up.
Anyway, she rushed out and said, “It’s time for her to know.”
“Know what?” Dad asked.
“That I’m her mother,” Meredith responded.
For illustration purposes only | Source: Midjourney
“What do you mean you’re my mother?!” I screamed, even though I’d suspected it earlier.
No one even looked at me. Instead, everyone started yelling. My mom was furious at Meredith for telling me.
Meanwhile, I was furious at all of them for lying to me my whole life, so I started yelling too. At one point, I couldn’t take it anymore, so I ran.
I ended up at the river near my house. It was my childhood escape. That day, I cried and cried until Meredith found me.
For illustration purposes only. | Source: Midjourney
“Why didn’t you ever tell me?” I asked, between sobs.
She explained that she was only 15 when she had me, and my mom wanted to keep it a secret, so she could have a good future.
Meredith had always wanted to tell me but was afraid that Mom and Dad wouldn’t support her.
Older couple | Source: Pexels
After hearing her story and her pain, I realized that was still angry, but I understood her side. I even understood then why Mom – well my grandmother – had always been so strict.
“Can you forgive me?” she asked. “I’ll try to stop being your sister and start being your mom.”
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I nodded. “So, should I start calling you Mom?” I asked, managing a small smile to lighten the mood.
“Only if you call Mom Grandma. She’ll be furious,” Meredith joked.
We laughed, and some of the tension finally eased. We had a long road ahead of us, but at least we had each other.
For illustration purposes only. | Source: Midjourney
A Boy Screams Every Time He Sees Old Family Photo until Mom Looks at It Closer
It’s been a year since my son Adam’s kidnapping, and while we got him back, it feels like a part of him is still missing. He barely speaks, his smiles are fleeting, and those big, expressive eyes are often filled with a terror I can’t understand.
One dinner with my husband, Jake, his big brother, Steve, and his wife, Gina, became another painful reminder of how different things were.
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We were looking at old photos when I called out to Adam, “Look, these are your grandparents!” I lifted the photo, so he could see it better.
But his reaction was completely unexpected. He burst into tears and covered his eyes. It was a simple picture of his young grandparents enjoying dinner, but it triggered him to a point I couldn’t understand.
Still, I comforted him and sent him to his room. Later, Gina found me in the kitchen with tears still slipping down my cheeks as I scrubbed dishes.
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“No progress?” she asked gently.
I shook my head. “The doctor says the trauma was severe. We’ve tried therapists, but he just shuts down.”
I remembered the awful day he was taken: the ransom call and our race to get the money. Sometime after we’d delivered the money, the police found Adam abandoned by the side of the road.
Yet, the kidnappers were never caught.
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“I can understand the trauma, but it’s always that photo,” I confessed to Gina. “I’ve been trying to show it to him sporadically to see if he’s getting better or if he tells us the issue. Like exposure therapy. But every time he sees it, he freaks out.”
Gina didn’t have to say, but she could sympathize.
When she and Steve left, Jake and I went to Adam’s room. He still refused to speak, and just as I was losing hope, my husband had an idea.
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He sat down next to our son and told him that all parents are superheroes. We would never let anything or anyone hurt him again. After all, we saved him before.
Adam nodded, and Jake told me to get the photo. Our son started crying, but with gentle coaxing and assurances, we finally got him to look at the image.
We begged him to tell us what was wrong. To our surprise, his trembling finger lifted, and he pointed to the painting hanging on the wall behind his grandparents in that old photograph.
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It depicted a farm.
His face twisted again, but we told him he had done a fantastic job. Then, I had an idea. I grabbed one of his storybooks and said, “How about you use the words and letters in here to tell Daddy and Mommy what you’re scared of?”
Surprisingly, it worked. Adam began picking out letters with interest. First, he stopped on a page and pointed to the letter “I.”
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“Good job, champ! Keep going!” Jake encouraged, and Adam pointed to the word “here.”
Then, his finger went back to the painting hanging behind his grandparents in the photo. He looked up at both of us, terrified again.
I realized with horror what he was trying to say. It was probably my maternal intuition. What if he’d been held captive in the place depicted in that painting?
Just in case, I asked, and he nodded, before bursting into tears.
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Jake and I stared at each other and knew what we had to do immediately. But the next day, when the police proved completely inept, we took matters into our own hands.
Based on the painting, which featured a lake, we had a fairly good idea of where it might be, so we drove there. It took us a while to find the right property, as other farms had been built, but we finally did.
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Except, this place was now abandoned. There was a dilapidated barn behind the main house, and something in my gut told me to go inside. Dust and the smell of decay hit my nose as we walked in, but I kept going.
Finally, I saw a cap on the floor. It was Adam’s cap, the one he was wearing the day of his kidnapping. So, Jake called the police. They had to listen now. While we waited, he started searching the barn for any other clues.
For illustration purposes only | Source: Midjourney
Unexpectedly, he found another painting hidden behind some hay bales. It was the same scene depicted in the old photo, but it featured a woman and a young girl near the lake.
Jake flipped the painting over. There was an inscription on the back: “Dorothy & Lesley Marie.”
“Oh no,” he whispered, his shoulders sagging. “I just realized… I know this place. It belonged to my great-grandmother.”
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Then, Jake explained that he vaguely remembered coming here as a child. He’d forgotten all about it until this moment.
The woman in the painting was his great-grandmother, and the girl was his grandmother, who had inherited the farm and later sold it after her husband died, back when Jake and Steve were young.
Something began nagging in my gut at his words, but soon, the police arrived and searched the farm. Unfortunately, aside from Adam’s cap and the painting, there was nothing else.
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Jake told the police what he just remembered and added, ‘My brother, Steve, used to come here with my grandmother too.”
It clicked then for me, and the officer must have gotten his implication. “Are you suggesting your brother was involved in this?” he asked, narrowing his eyes.
Was that possible? Steve might have known about the farm, though he’d never mentioned it, not even when we were desperately searching for clues during Adam’s kidnapping. We had no way to truly know unless we tested our theory.
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So, the police suggested a plan. We would call Steve and tell him the police had found a lead in Adam’s case thanks to the old portrait of their parents with the painting of the farm, which they were going to search through.
If he was involved, he might panic and try to cover his tracks.
Of course, we also explored the idea that the current owner of the farm was involved, but police discovered that the bank owned this place. They hadn’t been able to sell it in so many years.
Therefore, we made the call, and Steve fell for it.
The next day, we watched from a distance as he drove up to the abandoned property with a can of gasoline, clearly intending to burn the place down. The police swarmed and arrested him on the spot.
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Eventually, we learned that Steve was resentful because Jake had inherited a larger share of their parents’ company. This happened because Jake had worked in the business since he was a teenager, while Steve partied during high school and college.
Believing this to be unfair, my husband’s brother had kidnapped Adam to extort money from us. He chose the farm as his hideout, knowing that Jake had probably forgotten it.
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Throughout all of this, Gina had no idea. and left our town as soon as Steve was sentenced.
The betrayal was devastating, but in the end, justice prevailed. We had answers, we had closure, and most importantly, we knew now why Adam cried about the photo. His therapy was adjusted to work on it specifically.
If you liked these stories, check out this other set about selfless acts. Kindness can ripple through the world in unimaginable ways. In these three heartwarming stories, ordinary people performed extraordinary acts of generosity, only to find their lives profoundly changed in return.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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